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Mastering in Logic Pro X : The Basics.
If there are no problems, have the courage to believe that and move onto the final step. This is where you actually create the master files. Simply use the Bounce command in Logic Pro X and select the appropriate formats for where you want to submit your music. Tip: Dither your master. Any dither is better than truncation distortion!
Unlock a bundle of free resources to help you create and release your music. Mastering in Logic Pro X is absolutely possible, even with just stock plugins!
Many get lost though. Perhaps you can relate! Table of Contents 1. How To Prepare Your Mix es 2. Calibrate Your Mastering Level 3. Gain Stage Your Reference Track s 4. Set The Ceiling 5. Find Loudness 6. Problem Solving 7. How To Prepare Your Mix es There are many articles and cheat sheets out there that tell you things in absolutes like needing 6 dB of headroom and such. If you are confident in the sound of the mix then just bounce it down to a 24 bit wav file.
Then master the wav mix in a brand new session another day with fresh ears. Give your brain time to forget about it for a bit! Just make sure there is an appropriate amount of dynamics in the music.
Calibrate Your Mastering Level This bit is huge. Gain Stage Your Reference Track s Now that you have set up your monitoring level , you may also choose to use a reference track in the mastering session.
There is only one tip you need to know about using reference tracks… Turn them down or up to your mastering level! That way, there is no loudness bias between your master and the reference track. Set The Ceiling As you probably know, a limiter is very much a usual suspect in your mastering chain. Find Loudness This where we start to work backwards, at least as far as the order of plugins in your chain is concerned.
Problem Solving Now that you are close to the goal, any issues with regard to dynamics and EQ will start to make themselves apparent. Happy mastering! Instagram Mail YouTube. If you want to learn more about how to save time for creativity by preparing your mixing project beforehand, you can read this article.
On the contrary, it will add value, giving you the creative time you need. The most unnecessary thing for me is to change the settings of this control bar and the ruler.
So I always have the same setting on my mixing and production projects. I always work on 48 kHz because I want to have a little headroom. So I have to constantly change the sample rate settings from the project settings section before I start working.
I have this in my template, so I always have a quick look at the sample rate of my project, and I can always change it quickly, which I use a lot. I always want to see the tempo and the key of the song.
Because I change them a lot, and I forget them after a while. Also, you should set your tempo so your reverb and delay effects can work based on your tempo. I always want to see the CPU usage so that I can be careful about my plugin usage.
Some plugins can drain your CPU, so you have to keep an eye on this. If it gets worse, I try to freeze my channels to keep adding big plugins to the project. Sometimes I have to figure out something, so I open a piano plugin to play with the song, and once in a while, I record extra back vocals. You can do this when Low Latency Mode is on. This one also saves lives. Sometimes I decide if there are any needs for a pad synth or some extra sub frequencies from a synthesizer.
And the last thing that I want is to forget what I just found. This setting continuously records what you play on your MIDI, so you can always find the best part of your improvisation.
I discovered this one later, but I love it. Because it helps a lot to see the timing on the ruler with the bars. It was a habit when I was using Pro Tools, and I was missing that feature.
I always think of the channels in groups because it helps to understand the song. For example, when you download a channels multitrack file and import it to your mixing project, it can be scary at first. Also, you can process the same kind of sounds together if you use those bus groups. For example, I always tend to compress the drums together to get the most energy out of them.
Therefore, I have to route all of them to a bus group. Having that group from the beginning is perfect for me. The bus routings are on the second page of the buses, so your primary bus names can stay the same.
You can see it below:. Set the bus groups from the beginning of a mix project, and delete the unnecessary ones. So this is why I put a VCA type compressor on the drum bus group. You can always tweak it to your liking, and I encourage you to do so because every song is different.
But if you want energetic drums, this compressor will help you a lot. Sometimes I want a big, powerful sound from drums. When I want that, I use the Drum Crush bus. It compresses the signal to hell and adds some distortion to make it even more powerful. I put there a compressor and an overdrive plugin, but you can always use its variations.
For example, if you have something like a tape machine, you can add it with your favorite settings on every bus group, so you can always reach them with just a click.
Then, you can start mixing with those plugins bypassed, and you can open them when you need. There is a stereo out bus; why would I use a mix bus? Good question.
I use it for a couple of reasons. Sometimes I need to send the whole mix to another bus group to parallel process it, or I can put some weird effects on it and dial with the mix. So you can do that with the Mix Bus group.
Logic Pro X Professional Music Production – PDF Drive
I don’t know why, but it sounds more ‘analogue’ than any other digital processor I’ve used. These 3rd party plugins are not included in the template.
Free mixing template for Logic Pro and how to use it
PDF Drive offered in: English. Logic Pro X: Audio and Music Production From initial demos to mixing and mastering, seasoned authors Mark Cousins and. software instruments, while keeping your MIDI keyboard free for other tasks. parameters, see the MIDI plug-ins section of the Logic Pro Effects manual.